We have been delighted with the response to our exhibition which opened 4 July with the new season of exhibitions at VISUAL Carlow.
Celebrating our ten years of working together, The Possibilities of Place exhibition has been an exciting means to share our work, and in an incredible venue.
Below are some photos from the opening and if you missed it, you can listen again to the review on RTE Arena by Cristin Leach in conversation with Sean Rocks.
Annabel Konig was also interviewed at Visual about the 9 Stones Artists exhibition by the Art in Ireland TV crew:
We have also published a catalogue to accompany the exhibition, with a foreword from Jeremy Hill (curator of the former Norman Gallery) and an essay by curator Cliodhna Shaffrey. You can purchase the catalogue from Visual or email us at firstname.lastname@example.org.
The exhibition continues until Friday 16 October, do hope you can drop in to see it.
Sea-Change Nothing of him that doth fade But doth suffer a sea-change, into something rich an strange
William Shakespeare, The Tempest
A new body of work comprising of delicate bronze sea forms alongside sand pictures, exploring, comparing and contrasting themes around our Earths wealth and riches, by Rachel Joynt RHA will be on exhibit in the RHA Ashford Gallery. This work plays with the complex relationship between ecology and the economy and the ebb and flow within markets and ocean currents.
Heads or Tails 1 (detail), 2013, Bronze, led light, Portland stone, 40 x 20 x 20 cm
Rachel Joynt: “Sea change” detail
Joynt brings a level of delicacy and fragility to figurative sculpture based on these sensitive and fragile life forms that inhabit unpolluted pockets of ocean.
Using the Echinoid Skeletons, in particular the Sand dollar species, as a metaphor for richness, wealth and the search for rejuvenation and sustenance. Perforated symmetrical forms that emanate warm light in chalky opalescent colours. In reference to Sand dollars; ‘is a creature whose very strangeness helps us to see ourselves more clearly by showing us what we are not’. The Ancestor’s Tale by Richard Dawkins.
Permanence, transience and flux are reoccurring themes and her use of sand, light, glass, bronze and cast iron underline this. For Joynt, scale is also important, transforming our normal viewpoint by using different magnifications, she allows the subject to take on a new presence.